Birds of Malaiseville

Spiritual Discontentment Enters Late Middle Age

An artistic collaboration between Vic Ardelle & Alice Moore, Birds of Malaiseville is, at its simplest, a collection of meditations asking after God while stuck in the Bible Belt. We've placed each essay inside the feathered deck below, shuffled and ruffled just to our liking.

This is, perhaps, the best way to experience the work, but if you prefer a more structured view, feel free to click the nest, where we've laid out the pieces as a sort of book.

However you choose to experience the words and images here, we urge you to take your time, to tread lightly as not to scare the birds into flight.

A birds nest, complete with three eggs. Painting by Alice Alexandra Moore.
Tap the cards to turn them.
A Killdeer faking a broken wing.

“You like that PDP there?” the farmer asks you. You’re a spoiled 12-year-old with a blood condition. You hand him your new racquet made from spaceship.

A small brown bird, looking up, embedded in pink flowers.

I began the eulogy with a literal truth: she was the tallest cousin in the family.

Painting of a peacock, tail filling the whole screen.

“Thank you, please, but no,” I say when offered the soup. Dead people can’t eat in dreams, so it seems best that I don’t either.

A sparrow drinking from an old pipe.

This long in heaven my grandfather sees limits to perfection. When the weather turns, his scars itch.

A small brown bird, looking up, embedded in pink flowers.

A fancy pair of arm-in-arm pigs in top hats and monocles. A hayseed pig in overalls demonically roasting a fellow pig on a spit.

Canada Geese in the middle of a street.

This is mostly how I remember the group and me in 1984: we talk about Jesus as brightly as we talk about Magnum P.I.

An Eastern Screech Owl closeup. Eerie.

Recent feats of strength: I am carrying, one by one, six railroad ties across my yard. I am hoisting them into the bed of a dump truck.

A grackle, stopping for but a moment in a wintered forest.

Older still, I lit them off my zipper, as I'd read Jim Morrison did.

The devil: an ominous bird, spread-winged in the distance, creeping tendrils below.

A bugler will play “Taps” but not “Hail to the Victors” because I lost the nerve to ask.

A hummingbird about to take a drink from a flower.

“Sometimes you just have to get it out,” He’ll say, louder because of the wind and the passing traffic...

A Carolina Wren sitting on a birdhouse.

"He's taking what Mr. Trump is taking," my mother-in-law told my wife. "Don't even," I said.

A blackbird holding a red berry in its mouth, perched on a tree of berries.

Gray had once overtaken black, and then gray became white: the diffused color of a cataract, of milk making clouds in water.

A Red-Tailed Hawk perched on top of a fence post.

He drives a truck that looks like a fighter jet and backs it in so it’s face-first. Always flexing.

A turkey vulture preying on a dead rabbit.

I'm watching Jesus on a YouTube TED Talk. “Don’t be afraid of hrr-risk,” He says. He’s made his money in fashion design.

A goldfinch sitting on a branch, quite pleased with himself.

I closed my eyes like blind Isaac and patted my goaty cheeks. “Esau? Is it you, Esau?”

A grackle, stopping for but a moment in a wintered forest.

Neither married nor given in marriage. That’s rich, tell her, coming from the world’s most desirable bachelor.

Two mourning doves on a branch; one pesters the other.

It’s late afternoon in eternity. Early spring. The cold and the sunshine make the blue membrane of the atmosphere look taut.

Painting of a peacock, tail filling the whole screen.

Nightly I aimed it to avoid the afterglow of God and received what I could in the static.

A mockingbird taking off into the sun on a stormy day.

My sister would want you to know this about her: after I came along, her debt clock began clicking and remained dynamic all her life. She was owed.

A mallard contemplating flight near a lake.

Sweet gum maples. Blossoms like muscadine grapes on the locust tree I planted in our backyard so she could see it from our kitchen.

An American Crow screeching.

Kareem Abdul-Jabbar held my father’s face in His hands. This was it. “Earvin?” Kareem said. "Earvin asked."

A mother robin tending her nest of squawking, hungry chicks.

Will they learn to clear tables? Be led expressionless by expressionless service dogs? Stare when a gift store visitor makes nervous conversation?

A mockingbird taking off into the sun on a stormy day.

Orange mercurochrome stains from skateboarding in culottes in those abandoned apartment complexes in Santa Clarita.

About
Vic Ardelle is the pen name of a writer and professor who lives in the rural Midwest.
A crow screeching. Painting by Alice Alexandra Moore.
Alice Alexandra Moore is a web designer and artist who hails from the backwoods of Ohio. You can find more of her work at her personal website.
A sparrow perched in a thin branch. Painting by Alice Alexandra Moore.